Anna Caterina Antonacci
Anna Caterina was recognized as one of today's top sopranos, winning prestigious awards in her Voci Verdiane Callas & Pavarotti contests. She was awarded the French Republic has awarded her the most prestigious award which is called being awarded the Chevalier de l'Ordre National de la Legion of Honor. Her first recording Era la Notte for the Naive label garnered acclaim and she has also recorded L'Alba separa dalla lumina l'ombra in the studio of Wigmore Live with her pianist Donald Sulzen, featuring songs from Tosti Cilea and Hahn. Anna Caterina was elected one of the Accademici Effettivi by the distinguished panellists at the General Assembly of the Academicians of Santa Cecilia in 2021. Anna Caterina played the role Madame de Croissy of Poulenc's Dialogues des Carmelites so far in the 22/23 seasons at Teatro dell'Opera di Roma, in a production directed by Emma Dante. The role will be reprised by Anna Caterina Antoniocci at the Bayerische Staatsoper later this season. Anna Caterina Antonacci comes from an Italian family of sopranos. Her most well-known work is for roles in bel-canto and Baroque. Antonacci was a Rossini Canon mezzo-soprano. Aged 62, Anna Caterina Antonacci's height has not been released at the moment. Anna Caterina Antonacci height, weight, and body measurements will be available soon. The actress isn't dating anyone. There is no one she's dating. It isn't clear what we have to know about her past relationship and engagements. According to the databases, she's not been married and has never had kids. She has seen a significant increase in her networth between 2022-2023. What's Anna Caterina Antonacci's net worth now when she's at 62? Anna Caterina Antonacci earns most part of her earnings from being successful. Anna Caterina Antonacci is an Italian Soprano who has performed in bel canto, baroque as well as other repertories. She performed as a mezzo-soprano throughout her career, notably performing that part of the Rossini canon. Antonacci trained in Bologna and performed her first performance with the title Rosina in 1986 at Arezzo. It was the New York Times profiled her in depth in March 2012






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